• Best Vst Plugins For Reason Recording
• Best Music Plugins

What do you do when you’re looking for cool ways to come up with unique bass lines, leads, and melodic motifs?

Use an arpeggiator.

They have recently added a lot of really great VSTs including plugins like Keyscape. Not all plugin retailers sell some of the bigger plugins and you have to sometimes go through the actual creator of certain plugins. One of the best reasons to go to Sweetwater for plugins is that they have great customer service with actual musicians. A: Virtual Studio Technology (VST) is an audio plugin that integrates software synthesizers, effects, and editors that your MIDI controller uses to create or edit music. The VST plugins will run to your computer and favorite DAW such as Ableton Live, FL, Logic Pro, Reason, and many others.

The Props have integrated plug-ins into the familiar Reason environment as much as possible. VST Instruments appear in the Instruments Browser below all the Propellerhead devices, along with your Rack Extensions. Likewise, VST effects appear, sorted by developer, in the Effects tab. In this video I look at 30 of the best free VST plugins for music production in 2020. These top free vst plugins are both free vst instruments and effects. TB-303 Clone Contest - VST sound comparison vs ABL2 Phoscyon x0xb0x Future Retro Revolution 777 Syntecno TeeBee acidlab ml 303 mam MB33 and tm3030 Virtual synth VST Plugin bassline Famous TB 303 Pattern.

The best arpeggiator VSTs are capable of so much more than just cranking out static, repeating lines.

If you haven’t looked into the capabilities of the current crop of arpeggiators yet, you are in for a treat!

So this post will take a look at some of the best arpeggiator plugins on the market.

Top Arpeggiator VST Plugins

1. Cthulhu by Xfer Records

Demo & Price

Cthulhu comes from the same maker of Serum, that beast of a synth. Likewise, “One Note Becomes Many” is the intriguing tagline that greets you at Cthulhu’s product page, and it does provide an accurate description of the capabilities of this unique plug-in. Is it an arpeggiator, an instrument, or an audio processor? Like the best arpeggiators, Cthulhu is all that and more.

What Cthulhu primarily does is transform inputted chords in many interesting ways. A versatile and easy to use tool, it encourages the creation of chord progressions and musical motifs that you wouldn’t have come up with otherwise.

Specs and useful features

Although Cthulhu does a great job as an arpeggiator, it is first and foremost a chord recorder/player. This function enables you to come up with plenty of interesting chord variations by pressing single keys on your keyboard. You can play chords right into the plug-in or import chords and progressions in MIDI format.

Cthulhu is equally capable as an arpeggiator, enabling you to transform notes and chords that you input into different rhythmic variations. With no less than eight tabs in the step sequencer, you have ample options for reshaping incoming notes. Even single note lines can result in complex and uniquely memorable riffs.

User impressions

You don’t a lot of musical knowledge to come up with complex and musically interesting motifs with Cthulhu. The chord memorization feature alone is well worth the price tag, and having a very capable arp onboard makes it an even better deal.

Literally dozens of interesting variations can spring forth from even the most basic note sequences. Whether as an idea generator or a way to reinvent tired, old melodic motifs, Cthulhu has the power to consistently surprise. /best-free-cello-vst-plugin.html.

Bottom-line

A chord generator and arp rolled into one, Cthulhu is a powerful creative tool no matter how you look at it. If your creative well has run dry and you need a source of inspiration, this plug-in definitely gets the juices flowing.

2. Kirnu Cream by Arto Vaarala

Demo & Price

Kirnu Cream took the MIDI world by storm when it was released in 2013. The hype and speculation had been building up to a fever pitch for months before then, and the official release proved to be everything that everyone had hoped for and then some. Cascading arpeggios, sequenced patterns, and ear-catching chord memory progression–all these issued forth from the revolutionary plug-in, and there were many options for modulating the results as well.

Cream today remains largely unchanged from its initial version, which is a testament to its design and functional excellence. Whether used for arpeggiators, lead and bass lines, and even beats, Kirnu Cream is pretty much peerless.

Specs and useful features

Cream has several features that make it as suitable as a live instrument as a studio tool. The arpeggiator is what most people will probably be drawn to. But it also has one of the most powerful pattern sequencers around, with excellent chord memory features added to the mix. Pattern data can be selected and manipulated freely, with four tracks and loopable pattern controls. These features give the plug-in a great deal of flexibility for reimagining melodies and musical phrases.

Amazingly, Cream is very easy to learn and put into use. You didn’t have to dig too deeply into its inner workings to come up with cool motifs, although there is considerable power under the hood for more in-depth tweaking.

User impressions

The many opportunities for direct interaction are what most users appreciate the most about Cream. It goes beyond the capabilities of most arpeggiators and pattern sequencers, producing musical and creative results with very little effort. Many users especially like the “arpeggio on note count” feature, which keeps the arpeggiator from starting up until a specific number of notes are played. This feature makes it possible to combine standard melody lines with arps in a musical manner.

Bottom-line

With so much power onboard, you would expect Cream to be difficult to use. While you will have to do a bit of fiddling around to unlock its full potential, this never gets in the way of its sheer power and capability.

3. Thesys by Sugar Bytes

Demo & Price

Sugar Bytes is known for its plug-ins that serve as creative instruments and unique audio and MIDI processors. Thesys is a prime example, covering many of the company’s strengths in an intriguing step sequencer that is also a pretty kick-ass arpeggiator.

Thesys utilizes the venerable–and still-popular–step-programming paradigm in enabling you to manipulate your music in various interesting ways. Whether for heading off into uncharted musical territory or simply breathing new life into tired, old material, Thesys provides a direct path to creative musical expression.

Specs and useful features

Unlike other plug-ins that lock you into a specific way of working, Thesys lets you work the way you want to work. You could paint in sequences with your mouse, which is a fast and intuitive way of working. If you prefer a more traditional approach, you could input notes from a MIDI keyboard. There is a built-in synthesizer for this purpose, letting you hear inputted notes and the resulting sequence without having to patch in a third-party synth plug-in.

The Randomizer is an especially useful feature, helping you avoid the predictability that often results from step-sequencers and arpeggiators. With this feature, you can come up with interesting variations of your melodic material or head off into wild and wonderful new directions.

The Velocity and Gate Sequencer sections are where you will likely do most of your tweaking. These sections let you finesse riffs and arpeggios into impressive musical phrases without a lot of fiddling around.

User impressions

Thesys delivers far more capabilities than your average arpeggiator plug-in. Users found it to be just as useful live as in a studio setting. This is one plug-in that cranks out more than what you put in, and many users find it a sheer joy for livening up drab MIDI passages.

Bottom-line

Thesys is more than just an arpeggiator or a step sequencer. It is practically a full-blown MIDI workstation, and its sheer power and flexibility will definitely win you over.

4. Consequence by Sugar Bytes

Demo & Price

Consequence is Sugar Bytes’ simpler offering in the arpeggiator category, but it is still pretty capable at transforming inputted notes in interesting new ways. It creates note sequences based on chords that you play in, with numerous options for interpreting the incoming data.

You can load up to three instruments into Consequence, each of which has its own envelope. You can play these instruments via the onboard 32-step sequencer and create very complex rhythms and textures pretty easily. There is even a multi-fx unit onboard for adding extra spice to your creations, and a four-on-the-floor kick drum pattern that helps you keep your grooves locked tight.

Specs and useful features

The chord sequencer is where most of the action takes place. Here, you could store up to 16 chord “snapshots”, and trigger them in any combination you please. The results are never static, with five sequencers enabling you to control various aspects of the groove. There is also a comprehensive modulation section that provides even more options for controlling the three synthesizer parts, the filter, and the FX unit.

As an arpeggiator, Consequence is about as versatile as they come. You can set each of the sequencer steps to “Arp”, “Chord”, “Octave”, or “Tie”, enabling you to go well beyond the capabilities of most arpeggiators. You can even control the play direction in various ways, which lets you create pretty impressive melodies from even the most basic motifs.

User impressions

Consequence strikes many users as a fun and inspirational alternative to most standard arpeggiators. It is especially appealing to those looking for a fresh and creative approach to coming up with melodic ideas. For many users, Consequence has proven value as a songwriting and production tool.

Bottom-line

Like most Sugar Bytes plug-ins, Consequence provides a unique way of working with source material. Even if you already have a well-spec’d arpeggiator in your arsenal, Consequence is still worth adding to the pile for its unique workflow.

5. Audiaire Nuxx

Demo & Price

On paper, Audiaire Nuxx looks pretty intriguing. Billed as a multi-FX processor with an onboard parameter sequencer, it seems like a handy solution for livening up static sounds and sequences. But digging deeper into its features reveals a very capable processing tool that can twist and warp audio in many creative ways.

Useful Features

Audiaire Nuxx essentially lets you modulate up to three parameters of six effects at a time via macro controls. There are 30 effects on-board, including compression, distortion, decimator, chorus, delay, flanger, two flavors of phasers, high, low, and band-pass filters, and more.

Nuxx has a slick and modernistic interface, with all the sections laid out clearly for ease of use. The GUI is scalable and comes with a variety of lane modification tools. The plug-in’s unique interface makes it easy to manipulate sounds quickly and easily and even perform detailed audio editing.

Nuxx can be set up to work as a simple effects unit, with the sequencer bypassed and hidden out of sight. But inputting different values into each step of the sequencer is what truly unlocks the plug-in’s sonic potential. With 27 lanes, independent sequence lengths, step mutes, swing, and probability controls, you have plenty of leeway to mangle your sounds.

User Impression

Users love the sheer variety of sounds that are possible with Audiaire Nuxx. Although it works well enough as a filter and distortion unit to add warmth to cold digital tracks, it especially excels at creative modulations of the 30 effects processors. A potent sound-design tool, Nuxx is also useful for coming up with fresh and inventive ideas when inspiration runs dry.

Bottom-line

Audiaire Nuxx is a simple but surprisingly powerful audio processing tool. Ideally suited for creative sound design, it is made especially useful by the inclusion of some excellent effects with well-thought-out control over the most important parameters. Its onboard sequencer lets you cook up some outrageous and wacky sounds, from liquid filter burbles and rhythmic delays to wild pitch squeals and grinding distortion, and more. Not your garden-variety arpeggiator, Audiaire Nuxx is a hugely entertaining sound design tool.

Bonus Mention: Numerology 4 Pro by Five12

Info & Price

Numerology is something of a dark horse in the music production world, attracting an almost fanatical army of devotees. But it offers a totally different approach to idea generation, programming, and music production.

You could certainly use Numerology merely as an arpeggiator if you wish, even at this comparatively basic task. But its features makes it more of a complete music production solution than a mere arpeggiator plug-in.

Specs and useful features

Numerology is essentially a modular system, providing several options for sequencing audio, MIDI, and even control voltage (CV) signals. The matrix sequencer is your ticket to arpeggios, although you could certainly use it for more subtly melodic material if that’s what you need.

One of the best things about Numerology is that you can modulate almost any parameter. Like an extremely well-spec’d synthesizer, you can route anything to almost anything else, in this case to compositional parameters.

Bottom-line

Numerology is a beast of a plugin. Perhaps it is a bit unfair to lump it in with ‘mere’ arpeggiator plug-ins, but it does such a great job at that role that we simply had to add it to the lineup.

About Arpeggiator VSTs

An arpeggiator is a feature found on many synthesizers, vintage and modern, hardware and software. Often referred to simply as an “arp”, it lets you play a string of notes via a single key press or a single played chord. Even when playing a relatively simple phrase, arpeggiators can produce complex and impressive melodies and repeating motifs.

To learn more about what an arpeggio is, check out this Wikipedia entry.

Arpeggiators typically produce characteristic repetitive motifs that serve as the backbone for countless synth-based tracks. Used on such classic rock tracks as The Who’s “Baba O’Riley” and Pink Floyd’s “On the Run”, it is also the most recognizable element in Donna Summer’s seminal “I Feel Love”.

Best Vst Plugins For Reason Recording

In its simplest iteration, arpeggiators simply play back the individual notes of a chord in sequence. In older synths, arpeggiators provided the option to play the note sequence from high to low, low to high, and little else. Many modern arpeggiators provide many more options for setting play direction, note length, and more. With some of the arpeggiator plug-ins reviewed above–and some advanced arpeggiators on hardware synths–the results can be far removed from the typical robotic lines of a primitive arpeggiator.

All arpeggiators are able to play back the notes in a held chord. But more advanced arpeggiators can store note patterns, and even chords, providing you with even more options to come up with fresh and inventive parts. Some even allow for layering of different arpeggio patterns, polyrhythms, and random triggering. When you add the capability to modulate the output in many different ways, there is no reason why arpeggiators should simply be relegated to churning out basic, repeating lines.

At the very least, you will want an arpeggiator that gives you a few different options for playing back notes. /how-to-install-free-vst-in-sonar.html. Extensive modulation options are also good to have, as is the ability to send the note data out as MIDI.

• DAWs >Reason

Screen 1: VSTis running in Reason — what a time to be alive!

Reason has finally embraced VST support. We tell you what you need to know.

“VST support in Reason? When hell freezes over!” begins the blog post from Propellerhead CEO Ernst Nathorst-Böös with his customary self-effacing humour. Well, whatever the weather in the nether, from Reason 9.5, we can use VST plug-ins in Reason!

I’ve generally been in favour of the Props’ decision to keep Reason a hermetically sealed environment, but it had been getting increasingly frustrating not being able to use other tools like Maschine and Komplete, MPC and favourite VST effects when working in Reason. And plug-in support has been the number-one user request for a long time. Now Reason can truly be a stand-alone, end-to-end music production platform.

Any Plug-in, Within Reason

Best Music Plugins

The first thing to say is that you can continue to work VST-free in Reason if you prefer. But if you’re ready to dive in, you need to go the Advanced tab of the Preferences and check at least one of your VST Plug-in folders (screen 2). Normally it’s the root folder, rather than the one in your home user folder, that contains all your plug-ins. After this, if you go to Window / Manage Plug-ins you’ll see a list of all plug-ins available for use with Reason, and can choose to enable or disable them, individually.

The Props have integrated plug-ins into the familiar Reason environment as much as possible. VST Instruments appear in the Instruments Browser below all the Propellerhead devices, along with your Rack Extensions. Likewise, VST effects appear, sorted by developer, in the Effects tab. You add them to your project like any other standard device or Rack Extension, by dragging into the Rack from the Browser or right-clicking and choosing from the sub-menus. Adding insert effects to a mixer channel again follows the regular Reason convention: right-click on the channel and choose a plug-in from the Effects menu.

Each VST plug-in that you add to your project is hosted in its own rack container device (see screen 1 above), which is a bit like the Combinator device in that it maps audio and control connections between the Rack and the instrument or effect inside. To get to the plug-in’s user interface you click on the Open button (or anywhere in the display area above it) and the plug-in opens in a separate window like in any other DAW. Initially the rack displays and Browser palettes just show a generic ‘VST Plug-in’ label, but the plug-in window has a Snapshot tool that takes a picture of the plug-in in its current state. This is then used in the Browser and VST rack device whenever you use that plug-in, as in the screenshots here.

Screen 2: VST plug-in folders are enabled in the Advanced Settings. Leave everything unchecked if you wish to keep Reason running as before.The VST Rack device also has a file/preset manager section, which works slightly differently to other devices. The main load, save and up/down buttons work with the Browser, so you can save it as a Reason patch and hot swap with any device patch. This may be confusing as the plug-in itself will usually have its own presets, which are not accessible here. Instead, if the plug-in uses the standard VST bank and preset format for storing patches, you can click on the patch name display to the right and get a pop-up list of patches. Small up and down arrows will also appear in the name area allowing you to step through presets. Many plug-ins now use their own internal preset manager interface. With these plug-ins you might be able to see the name of the current patch but not change it, but you’ll have to open the plug-in window to choose patches.

Connecting & Automating

The VST Rack device has stereo audio inputs and outputs on the main part of its rear section that are auto-cabled in the normal way, depending on whether it’s an instrument or effect. A VSTi will get it’s own track in the sequencer and be connected to a fresh mixer channel, just like the built-in instruments. Further connections are reached by unfolding the CV Programmer at the bottom of the device, providing up to a total of eight inputs and 16 outputs (screen 3). Audio ports that are actually available in the plug-in light up green.

Screen 3: Reason supports VSTs with multiple audio connections via the extended rear panel.The extra CV connections allow you to control and modulate plug-in parameters from other Rack devices. As with Combinator or Mix Channel devices, there’s a Programmer panel where you can map the CV inputs to any automatable parameter on the plug-in. These can be assigned via a drop-down menu, or by activating the Learn function and clicking on a parameter directly. You can adjust the modulation depth with the bi-polar Amount knob, and set a Base Value, which defaults to the current value.

The VST device doesn’t have any direct controls beyond the usual pitch and mod wheels. However, if you want to make any of a plug-in’s key performance controls accessible from the front of the rack, you can put it inside a Combinator. The Combinator Programmer can ‘see’ all the parameters on the plug-in, so you can map some of them to the four knobs and buttons (screen 4, below).

Luckily, automating a VST plug-in doesn’t require you to set up any of these things. You can simply drop the plug-in’s track into record and tweak its controls in real time from the plug-in window. This will create new Sequencer lanes for those parameters and record your movements. If you need to create lanes ahead of time, perhaps because you just want to draw or copy automation instead of performing it, you can click Automation in the plug-in window’s toolbar, then click the parameter you’re interested in.

Screen 4: VSTs interact with other Rack denizens via their own special Rack container. Here a VST synth is combined with a step sequencer, and some of its key controls are exposed on the Rack panel via a Combinator.

Testing The Limits

Once I’d figured out how VSTs had been implemented I was keen to try out a few things to see what’s possible. For example, I was keen to know if I could use other hosts like Maschine, Komplete Kontrol and MPC inside Reason, and what would be possible with Reaktor. No doubt we’ll return to some of these in depth, but here are some titbits..

As far as I could tell, Maschine worked perfectly, synchronised with the main Reason transport and Sequencer and had no annoying keyboard input conflicts. I was surprised and pleased to find that audio clip drag and drop into audio tracks worked without a hitch! Maschine Groups assigned to Ext outputs appeared at the audio output on the VST Rack device. However, it’s not possible to play separate groups from multiple MIDI sources in Reason. A common setup in other DAWs with multitimbal plug-in like Kontakt or Maschine is to run a single instance feeding multiple tracks, then trigger it from multiple MIDI tracks. In Reason though, MIDI tracks are always tied to a specific Rack device and there’s no mechanism for routing MIDI. But I’m not complaining, it’s already doing much more than I could have hoped for in this first version.

This really is the start of a new era for Reason, opening up a world of new sound sources and production tools. The update to 9.5 is free for version 9 owners; if you’ve been holding off upgrading from an older version, now’s the time.

RE: Rack Extensions

I’m glad to say that VSTs do not replace Rack Extensions, something the Props have been at pains to reassure RE developers about. Rack Extensions have several advantages over plug-ins, and not just in terms of stability and efficiency, which have been a priority for the format. A Rack Extension’s user interface appears right on the device in the rack, requiring no separate window. It can have CV outputs, multiple pre-routed audio and CV connections, and you can patch into it directly from other Rack devices without manually mapping CV ports to parameters. Presets are standardised and integrated into Reason’s Browser. Also, RE devices can be included in MIDI Remote codecs for automatic controller mapping.

There’s a level of convenience with Rack Extensions compared to generic plug-ins because the licensing is handled centrally and tied to your Propellerhead account. One of the things I like about firing up Reason is not having to connect my iLok, wait while plug-ins are scanned, or try to fire up a plug-in only to get a message that it’s not authorised. Similarly, RE updates are all in one place, so you spend less time on administrating various instrument and effects packages. There’s quite a few instruments and effects that are exclusively available as REs, but it is going to be interesting to see how cross-platform products fare. For example, I use the VST versions of McDSP’s Futzbox and Softube’s TSAR Reverb on nearly every project in other DAWs, but haven’t bought the RE versions. Perhaps I’m less likely to buy them now that I can use the VSTs; or maybe if VST support means I’m finishing and mixing more projects in Reason then I’ll be more tempted to buy the native Reason versions?