Mic Preamp Plugin Vst
Posted By admin On 19.12.20Article Content
The Neve 1073 is arguably one of the most popular preamps in the history of recorded music.
Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end.
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Unison™ technology allow’s Apollo interface’s mic preamps to sound and behave like the world’s most sought-after tube and solid-state mic preamps and guitar amps. Get the tone, touch, and feel of legendary hardware from Neve,® API,® SSL, Korg,® Fender®, Manley,® and more. Microphone preamp gain control.Fully emulated from 50s. Two-bands with boost and cut. Low band 100Hz and high band 12kHz. Emulated from famous program eq with tube gain stage. Supported Plug-in Formats. AAX – AU – VST2 (Win/OSX) Supported Operating Systems Mac OS X 10.7 through 10.12 Windows 7 through 10. SGA1566 brings the authentic tone of a single channel vintage all tube mic preamplifier. The whole circuit is simulated in real time using the high performance circuit simulator to recreate every nuance of the preamp circuit, from subtle coloration to overdrive and distortion. VST, AU Windows: VST. Kuassa PreMix CM. Mac/PC VST/AU Free. This one comes free with Computer Music magazine.
Vintage Neve 1073 preamps sound amazing, but their limited feature set and astronomical price tag push many engineers towards digital alternatives. In this roundup, we’ll break down the top five plugins based on the Neve 1073 to help you figure out which one is right for you.
1073 Design
The original 1073 preamps utilize a very streamlined design. In addition to a single gain control knob, which can be used to drive signals until they saturate, the 1073 also features a three-band semi-parametric EQ and selectable high-pass filter.
The top EQ band controls a fixed shelf at 12 kHz. The midband controls a bell curve with selectable frequencies at .36, .7, 1.6, 3.2, 4.8, and 7.2 kHz. The low band controls a shelf with selectable frequencies at 35, 60, 110 and 220 Hz. The selectable high-pass filter can be set at 50, 80, 160 or 300 Hz. Each band offers +/- 16 dB of gain.
About the audio files …
We put some of our favorite 1073-style plugins through the paces on drums, bass, guitars and vocals with the following settings:
Drums
- HPF at 50 Hz
- +4 dB at 110 Hz
- +2 dB at 1.6 kHz
- +2 dB at 12 kHz
Bass
- HPF at 50 Hz
- +4 dB at 60 Hz
- +6 dB at 700 Hz
- +6 dB at 12 kHz
Guitars
- HPF at 80 Hz
- +4 dB at 110 Hz
- +8 dB at 3.2 kHz
- +4 dB at 12 kHz
Vocals
- HPF at 80 Hz
- +2 dB at 110 Hz
- +4 dB at 3.2 kHz
- +2 dB at 12 kHz
Here are the unprocessed audio files …
Drums
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_1.wavBass
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_1.wavGuitar
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_1.wavVocals
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_1.wavUAD Neve 1073 Preamp & EQ Collection
UAD offers “the only authentic end-to-end circuit emulation” of the Neve 1073. The UAD 1073 captures all of the original’s unique circuit behaviors, including all 10 clipping points from the preamp and EQ stages for that classic gritty class‑A saturation.
The UAD 1073 also utilized UAD’s Unison technology, which allows you to use the plugin while tracking.
In terms of features, the UAD 1073 sticks very closely to the original design. The only new features are an impedance switch and a switchable -20 dB pad.
Drums – UAD
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_2.wavBass – UAD
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_2.wavGuitar – UAD
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_2.wavVocals – UAD
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_2.wav“The Sound of ’73” – UAD Neve 1073 Preamp & EQ Plug-In Collection
The Neve 1073 is arguably one of the most popular preamps in the history of recorded music. Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end. Vintage Neve 1073 preamps sound amazing, but their limited f
Slate Digital FG-73 Preamp + FG-N EQ + VCC
Slate has a plugin for everything, and in this case, they actually have three plugins dedicated to emulating the legendary sound of the 1073 preamp.
First, the FG-73, available as part of the Virtual Console Collection, offers simple drive and trim controls for emulating the dual-stage red band preamp of the 1073.
The FG-N, available as part of the Virtual Mix Rack 2.0, is a modified version of the 1073 EQ with variable frequency controls and an additional midrange bell. It also features a variable gain control with an optional “drive” button for added grit — similar to the FG-73.
Finally, the Virtual Channel and Virtual Mixes plugins, both available in the Virtual Console Collection, feature Brit-N settings for emulating the channel circuitry and summing characteristics of using running a signal through a Neve console.
*For the purposes of this test, the VCC (in Brit-N mode) and FG-73 plugins were used with settings at default. Drive set to 6 (10 o’clock); Input and Out set to zero. The FG-73 is set to 20 (the minimum setting).
Drums – Slate
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_3.wavBass – Slate
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_3.wavGuitar – Slate
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_3.wavVocals – Slate
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_3.wavSlate Digital VIRTUAL PREAMP COLLECTION – Real Analog Preamp Tones For Your Mixes!
The Neve 1073 is arguably one of the most popular preamps in the history of recorded music. Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end. Vintage Neve 1073 preamps sound amazing, but their limited f
McDSP British-E
6020 Ultimate EQ is a collection of ten 500-series style equalizer models, including the British-E EQ, based on the 1073. Although the British-E is only a small portion of what this powerful plugin has to offer, it does an amazing job of emulating the sound of Neve EQs.
British-E features more versatile filter shapes than the original design with three fully variable bands: a high-shelf, a midrange bell, and a low shelf. It also includes a fully variable high-pass filter.
The most unique thing about this plugin is that it does not include markings for frequency or gain controls, forcing you to rely on your ears. For these examples, I attempted to match the settings as best as I could by ear.
Drums – McDSP
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_4.wavBass – McDSP
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_4.wavGuitar – McDSP
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_4.wavVocals – McDSP
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_4.wav6060 UMC Module #3 – British-E
Analyzer vst free. The Neve 1073 is arguably one of the most popular preamps in the history of recorded music. Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end. Vintage Neve 1073 preamps sound amazing, but their limited f
IK Multimedia EQ 73
The EQ 73 by IK Multimedia is a “true to the original” reproduction of the 1073, including all of the gain stages, circuit designs, EQ curves and preamp behaviors. IK have also emulated the preamp/EQ interaction, which “truly defines why this unit was so special,” according to them.
Aside from the addition of stereo and mid-side processing, the EQ-73 also stays true to the original feature set.
Drums – IK Multimedia
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_5.wavBass – IK Multimedia
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_5.wavGuitar – IK Multimedia
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_5.wavVocals – IK Multimedia
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_5.wavNEW in T-RackS Custom Shop – EQ 73 & EQ 81 – Two classic, legendary British channel strips
The Neve 1073 is arguably one of the most popular preamps in the history of recorded music. Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end. Vintage Neve 1073 preamps sound amazing, but their limited f
Acustica Audio GOLD2
GOLD2 is much more than a simple preamp emulation. It includes six different equalizers, two compressors, seven preamplifiers and advanced routing emulations.
The GOLD2 package includes individual plugins for the preamp, EQ and compressor modules, as well as a channel strip version. Each plugin also includes a zero latency or “ZL” version for use during tracking.
While GOLD2 doesn’t introduce any new features to the 1073, it offers circuit emulations for several Neve consoles for added versatility.
*For the purposes of this test, only the H073 module and H073 summing were used.
Drums – Acustica
https://theproaudiofiles.com/wp-content/uploads/2019/02/Drums_6.wavBass – Acustica
https://theproaudiofiles.com/wp-content/uploads/2019/02/Bass_6.wavGuitar – Acustica
https://theproaudiofiles.com/wp-content/uploads/2019/02/Guitar_6.wavVocals – Acustica
https://theproaudiofiles.com/wp-content/uploads/2019/02/Vocals_6.wavAcustica Audio Gold2 Demo on Kick – Snare – Bass – Rhythm Guitar [British Channel Strip]
The Neve 1073 is arguably one of the most popular preamps in the history of recorded music. Originally introduced as part of the 80 Series consoles in the 1970s, these colorful preamps are known for their fat, warm sound and rich low end. Vintage Neve 1073 preamps sound amazing, but their limited f
Honorable Mentions
This is by no means an exhaustive list. There are dozens of emulations of 1073-style preamps and EQs.
Waves have an excellent version designed by the legendary Andrew Scheps called the Scheps 73. It offers the exact same controls as the original with the addition of “a little-known 10 kHz midrange band discovered in the original 1073 schematics but operable only on the rare 1078 channel strip.”
The Stillwell 1973 Equalizer is a very affordable 1073 “tribute”. While it doesn’t model the 1073 exactly like many of the other plugins on this list, it “takes the best features and reduces them down to their essence.”
Unique Recording Software’s N-Series EQ does a great job of capturing the 1073 sound, but it also utilizes features from multiple Neve modules. The URS N4 offers four fully parametric EQ bands, as well as high-pass and low-pass controls, and a gain knob for dialing in distortion.
And that’s just scratching the surface! What are some of your favorite Neve 1073 emulation plugins?
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Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications.
Development Story
This story is about exploring the development concept of the UR audio interfaces and the secret behind their worldwide popularity.
D-PRE microphone preamps
All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation.
The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold — a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level.
Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use.
D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. It’s beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.
Supported by:
Powered by Yamaha’s custom-designed SSP2 DSP chip, you can enjoy the benefits of dspMixFx technology, which offers latency-free monitoring together with the highly acclaimed REV-X reverb, the Sweet Spot Morphing Channel Strip and Guitar Amp Classics* for users of any DAW software.
Supported by:
The UR824, UR28M, UR44 and UR242 highlight three DSP-based effects — Guitar Amp Classics, Sweet Spot Morphing Channel Strip and REV-X. Plus, the Basic FX Suite provides VST 3 versions of these studio-grade effects.
Guitar Amp Classics
Guitar Amp Classics make extensive use of advanced Yamaha modeling technology. Four amp types with completely different sonic characteristics are provided, CLEAN, CRUNCH, DRIVE and LEAD. Best of all, you get a DSP-powered version and a VST 3 version of Guitar Amp Classics. So you can record the dry signal with your favorite amp sound without any latency using the DSP version. Once you're done, you can re-amp the recorded track with the VST 3 version.
Sweet Spot Morphing Channel Strip
The Sweet Spot Morphing Channel Strip consists of a sidechain-enabled compressor and a three-band parametric equalizer. Both EQ and compressor were developed to attain a highly musical sound. Its featured morph knob smoothly allows you to morph through both EQ and compression settings in combination in order for you to come up with the ideal sound very quickly just by using one single control element.
REV-X reverb
The REV-X built into the UR824, UR28M, UR44 and UR242 is a complex reverb algorithm developed by Yamaha. Renowned for its high density, richly reverberant sound quality, with smooth attenuation, spread and depth that work together to enhance the original sound, the REV-X features three types of reverb effects: Hall, Room and Plate simulations with reverb time and level control.
True Integrated Monitoring
When using Cubase, all the advanced monitoring capabilities are fully integrated into the application's GUI by True Integrated Monitoring technology. All aspects of I/O handling and DSP management are handled directly from within Cubase. Cubase automatically embeds your device into the Cubase production environment and manages all audio streams with perfect sync, allowing for a highly efficient workflow that boosts productivity to new levels.
Plus, the URs feature direct integration into Cubase with dedicated windows and views that only appear when they are connected, providing full control of the hardware’s functionality from within Cubase itself.
Supported by:
Loopback function
For easy live streaming of performances to the internet, the Loopback function consolidates all playback tracks and input channels and routes the mix to your internet streaming software. This function is often used by hosts of internet live streaming programs. When the function is active, incoming audio signals such as microphone, guitar or line source will be merged to the playback signal from an audio playback software like Cubase or other DAWs inside the computer. The merged signal will then be send back to the computer for streaming.
Supported by:
192 kHz
All components are carefully selected and implemented for full resolution of high-end audio of up to 24-bit/192 kHz. A higher sampling frequency means more samples of the audio source, resulting in better reproduction of the original sound, contributing to the naturalness of audio image and ambience.
Supported by:
CC Mode
All UR interfaces can be switched to CC (Class Compliant) mode*. In this mode the interfaces work with the iPad and iPhone. Combining the UR units with an iOS audio application, such as Steinberg’s Cubasis for iPad, you get a fully mobile audio recording solution.
Supported by: Free orchestral vst mac.
Mic Preamp Plugin
JetPLL
For signal synchronization, the UR824 interface also features JetPLL, a patent-applied solution for audio network jitter. JetPLL provides the same performance as traditional, expensive clocking solutions found in the world’s best professional clocking products.
Supported by:
* Please note: Some of the above-listed features are only available with the free version 2 firmware update for UR824, UR28M and UR44 (e.g. CC Mode, Guitar Amp Classics and Loopback function). So please make sure to get the latest driver and firmware updates for your device.
Why UR
Find out more on what you can do with the UR interfaces.
Discover the UR line-up
Check out the UR models page and find out what's the perfect interface for you.
UR bundles
Free Vst Preamp
Looking for hardware and software? Our UR bundles studio-grade hardware with perfectly integrated software.